(928) 830-6339 call this number if you want an amp
So many customers tell us they appreciate that when they get the amp, it sounds like (or better than) the videos. That's because we don't hide the real sound behind deceptive practices like Pro Tools and close miking techniques.
The whole reason Bob decided to modify old amps, then build boxes to make them sound better, then moved on to design and build original design amps, is that the other amps didn't sound good enough live.
Big, fat, harmonically-rich tone, lightning -fast response, touch sensitivity, endless sustain...great tone at any volume, clean or dirty...built like a tank...
Every guitar has it's own voice. The Gjika 10^n does not apply it's own tone over your guitar's tone, but amplifies and enhances it.
Hearing is believing, but may not actually be the case when you are watching guitar amplifier demo videos, due to close miking techniques, and Pro Tools... if you see a microphone, you are NOT listening to the sound of the guitar amplifier IN THE ROOM.
Listen to Bob play along with Jimi Hendrix on the Blues album. The tone of the Gjika 10^n in the room is equal to the sound that the sound engineers obtained on the album. No other amp does this. Recorded w/cell phone microphone, raw video.
Live video taken using Sony stereo concert-cam - Having some fun with clean and dirty tones using the Gainmaster and a pair of Gjika Shawn Lane Powers of Ten Redux guitar amps - Bob Dylan classic song, in more of a Jimi Hendrix style... no close miking and it sounded much better live, but we don't have a recording studio, and we do not employ pro tools or any type of editing to our videos. They are live, and unedited.
Bob breaks the rules, using a Stratocaster, playing ZZ Top's notorious humbucker/Les Paul song, Just Got Paid, through a pair of Gjika 10^n amps, with fuzz & phase pedals, and a slide. The Gainmaster is on throughout the entire video, Bob gets his clean sound at the end by turning the volume down on the Strat. At the beginning of the video, Bob turns on a 1970s original MXR Phase 45 phaser pedal. He then kicks in a Gjika germanium fuzz pedal, for a bit. Big Fat Guitar Tone ensues.